1887-1927 Born in Madrid, he studied mechanical drawing at the Escuela de Artes y Manufacturas in Madrid from 1902 to 1904, during which time he contributed drawings to local periodicals. From 1904 to 1905 he studied painting with the academic artist Jose Maria Carbonero. In 1906 he moved to Paris and became friends with Henri Matisse, Georges Braque, Fernand Leger, and in 1915 he was painted by his friend, Amedeo Modigliani. In Paris, Gris followed the lead of another friend and fellow countryman, Pablo Picasso. His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Georges Braque. (Although he regarded Picasso as a teacher, Gertrude Stein acknowledged that Gris "was the one person that Picasso would have willingly wiped off the map.") Portrait of Picasso, 1912, The Art Institute of Chicago.Although he submitted darkly humorous illustrations to journals such as Le Rire, L'assiette au beurre, Le Charivari, and Le Cri de Paris, Gris began to paint seriously in 1910. By 1912 he had developed a personal Cubist style. At first Gris painted in the analytic style of Cubism, but after 1913 he began his conversion to synthetic Cubism, of which he became a steadfast interpreter, with extensive use of papier coll??. Unlike Picasso and Braque, whose Cubist works were monochromatic, Gris painted with bright harmonious colors in daring, novel combinations in the manner of his friend Matisse. In 1924, he first designed ballet sets and costumes for Sergei Diaghilev and the famous Ballets Russes. Gris articulated most of his aesthetic theories during 1924 and 1925. He delivered his definitive lecture, Des possibilit??s de la peinture, at the Sorbonne in 1924. Major Gris exhibitions took place at the Galerie Simon in Paris and the Galerie Flechtheim in Berlin in 1923, and at the Galerie Flechtheim in D??sseldorf in 1925. He died in Boulogne-sur-Seine (Paris) in the spring of 1927 at the age of forty, leaving a wife, Josette, and a son, Georges.  Related Paintings of Juan Gris :. | Washbowl | The head of man | The man play fiddle | The Teacups (mk09) | Blue Cover |
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j. f. willumsen
(7. september 1863 i København - 4. april 1958 i Cannes) var en af pionererne bag det moderne gennembrud i dansk billedkunst omkring 1900. Han var primært maler, men mestrede de fleste kunstarter og arbejdede desuden som billedhugger, grafiker, keramiker, arkitekt og fotograf. J.F. Willumsen studerede ved Det Kongelige Danske Kunstakademi fra 1881 til 1885. Efter tre forgæves forsøg på at blive indstillet til afgangsprøven på Kunstakademiet, studerede han på Kunstnernes Frie Studieskoler i København. I 1891 var han med til at stifte Den Frie Udstilling, hvis udstillingsbygning han tegnede i 1898. Willumsen opholdt sig i hovedparten af sit liv uden for Danmarks grænser, hovedsageligt i Frankrig, hvor han under et ophold i Paris 1890-94 blev præget af symbolismen. I de følgende årtier blev han eksponent for flere af epokens kunstretninger og hans stil ændredes i mere ekspressiv retning. Willumsen tilbød en stor del af sine værker og kunstsamling til staten og arbejdede fra 1930'erne på oprettelse af et museum. I 1957, året før hans død, åbnede J.F. Willumsens museum i Frederikssund.
ottilia adelborg
Eva Ottilia Adelborg, född 6 december 1855 i Karlskrona, död 19 mars 1936, var en svensk akvarellkonstnär. Hon var dotter till kommendörkapten Bror Jacob Adelborg och hans hustru Hedvig Catharina af Uhr samt syster till Gertrud Adelborg. Adelborg var "bilderbokskonstnärinna" enligt äldre benämning. Hon benämns idag barnboksillustratör, men illustrerade även böcker för vuxna, komponerade tapetmönster och skrev böcker och kan därför benämnas författare. Bosatt i Gagnef i Dalarna från juli 1903, då hon startade en skola för knyppling. Museum över hennes liv och verksamhet finns i Gagnefs gamla prostgård. Känd för bland annat affischen "Prinsarnes blomsteralfabet" (1892). Det litterära Ottilia Adelborg-priset instiftades år 2000 av Gagnefs kommun.
Jean-Baptiste Francois Desoria
Jean-Baptiste François Desoria (1758-1832). Both once enjoyed considerable renown among the elite of the Paris Enlightenment; today their names are barely known. Jean-Baptiste François Desoria (1758-1832), born in Paris, was, with the exception of some portraiture, primarily a history painter in the Neo-Classical style of his slightly older contemporary, Jacques-Louis David. Constance Pipelet, born in Nantes in 1767, was a surgeon's wife (later divorced) turned writer and librettist; she was noted primarily for her opera Sapho and her Epître aux femmes ( Epistle to the Women). Like her French predecessor of some four centuries earlier, Christine de Pizan, Constance Pipelet celebrated in writing the intellectual achievements of women.